Search: Starring John Leguizamo

Richet is at his best when moving quickly - he's a director in love with momentum.

The lack of any real ‘pop’ to the proceedings is rooted in the fact that the whole film is played as a flashback.

As if it's not bad enough that Chef is marinated in sticky sentiment, Favreau's occasional attempts to sprinkle in heavy-handed drama make for a stodgy mix.

It is breezy, bright, brilliant.

It's highly intense, superbly photographed and expertly edited entertainment.

Almereyda jumps straight into the experiment which, over half a century later, is as fascinating and timely and important as ever.

Appallingly developed characters and situations decay and rot onscreen.

Its humour - this is a very funny film - comes from observation and character.

This film basically consists of some worried looking people running about a bit and hoping that the bad things will all go away.

The characters of the animals are underdeveloped and the film is ultimately bland.

In the end, you care more about the acorn than the baby.

I've seen cooked spaghetti with more tension.

The film is clever. It is violent and merciless, also.

Slowly but surely the wonder of moving pictures bleeds to death in the corner of your mind

McConaughey works above and beyond his usual remit to remind us that he can also convey a formidable intensity and subtle sensitivity.

The splintered pain of grief interrupted marks out the directorial debut of Reed Morano.

An intense character study in triplicate, made gripping both by the deliberately ambiguous way in which Christina Choe approaches everyone's mental state and by the performances.

This retelling is the one you seek.

There's no subtlety here. Follow the dots.

Righteous Kill relies heavily on its two capable leads, but by and large it gets away with it.

Films that find alcoholism funny, encouraging the kind of behavior that would give Gramps a heart attack, are kicking at an open door

The film is directionless and charmless.

Furman’s carefully stylised direction never feels intrusive and his widespread use of the handicam helps to create a cinéma verité feel.

The sort of film that is meant to make you believe in the inherent goodness of mankind.

The story follows a baby dino and his brother into puberty and beyond as if they were boys from Santa Monica. The only thing missing is prom night.

Run-of-the-mill means straight-to-video and that's what this should have been.

Although the situation feels slightly contrived... the script is bang on.

Danes deftly avoids making her character appear at all weak or insipid, instead showing us a young woman of great courage and agency, in spite of how little control Juliet seems to have over her life.